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DTSTART;TZID=Europe/Berlin:20230503T180000
DTEND;TZID=Europe/Berlin:20230503T200000
DTSTAMP:20260616T180432
CREATED:20230425T125943Z
LAST-MODIFIED:20230425T125943Z
UID:10665-1683136800-1683144000@www.cemeas.de
SUMMARY:Vortrag: Dr. phil. Volker Klöpsch: „Jadeschleifer\, Verseschmied: Das Handwerk der Dichtung im Lichte der chinesischen Literaturkritik“.
DESCRIPTION:Dichtung ist ein universales Phänomen. Doch entsteht sie überall unter ähnlichen Voraussetzungen? Ein genauerer Blick zeigt\, dass Dichten viel­fach als ein gewöhnliches Handwerk verstanden wird. Darauf verweisen Begriffe wie Verse­schmied oder Jadeschleifer\, Vers oder Text. Der Vortrag untersucht an einer Reihe von Bei­spie­len\, wie im Alten China ein Gedicht entstand\, welche Funktion sein Verfasser in Ge­sell­schaft und Politik einnahm und wie seine Verse bewertet wurden. Aus der Betonung hand­werklichen Könnens ergibt sich auch die Frage nach der Erlernbarkeit des Dichtens. \nZeigen wird sich\, dass die chinesische Poetik des Altertums Gemein­samkeiten mit Vorstellungen des europäischen Mittelalters auf­weist\, aber möglicherweise Leser enttäuscht\, die an Goethe und Hölderlin geschult sind. \nVolker Klöpsch (geb. 1948) studierte Germanistik\, Anglistik\, Verglei­chende Lite­raturwissenschaft und Sinologie auf verschiedenen Kontinenten. Er lehrte in Taipeh\, Bochum und Köln\, legte zahlreiche Übersetzungen von Lyrik und Prosa aus verschiedenen Epochen der chinesischen Literatur vor\, gab mit Eva Müller das Lexikon der chinesischen Literatur (München 2004) heraus und ist Begrün­der und langjähriger Mitherausgeber der Hefte für ostasiatische Literatur.
URL:https://www.cemeas.de/event/vortrag-dr-phil-volker-klopsch-jadeschleifer-verseschmied-das-handwerk-der-dichtung-im-lichte-der-chinesischen-literaturkritik/
LOCATION:KWZ 0.602
CATEGORIES:Lecture
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230509T161500
DTEND;TZID=Europe/Berlin:20230509T174500
DTSTAMP:20260616T180432
CREATED:20230505T180028Z
LAST-MODIFIED:20230505T180028Z
UID:10698-1683648900-1683654300@www.cemeas.de
SUMMARY:Prof. Selcuk Esenbel (Bogazici Univ. Istanbul): Legal Transformation\, Contemporary Civilization\, and Sovereignty: Global Perspectives on the Quest for Modernity in Japan\, China\, and Turkey
DESCRIPTION:9. May (Tuesday)\, 16:15 – 17:45\nVG 0.110 \nAbstract:\nThe paper discusses some key experiences of Japan\, Turkey\, and China during the nineteenth century\, but primarily focuses on a comparative discussion of Japan and Turkey for the twentieth century and possibly the early years of the new millennium. It will offer reflections particularly on the conjuncture that was related to the adoption of European codes and constitutionalism\, coupled with the larger aim of catching up with contemporary civilization and regaining sovereignty. Despite the fact that the perception of the West throughout this long history kept shifting between a friend or foe\, the West has remained to be the “Un-forgettable Other.” \nSpeaker:\nDr. Selçuk Esenbel is Professor em. of History at Boğaziçi University\, and the Director of the Asian Studies Center at the same institution. After studying at International Christian University Tokyo and George Washington University\, she obtained her Ph.D. in Japanese history from the Columbia University. Since 1982\, she has been teaching Japanese and Asian history at Boğaziçi University\, where she is also in charge of the Asian Studies Center\, Asian studies graduate program and Asian language courses. Esenbel has published many articles in various professional journals as well as a number of books on history of Asia with particular focus on Japanese history. Her research interests cover Japan and the world of Islam\, Japanese pan-Asianism\, modernization in Japan and Ottoman Turkey\, peasant uprisings in Meiji Japan\, and Japanese-Ottoman/Turkish relations. Esenbel is the recipient of various awards\, like the Order of the Rising Sun\, Japan Foundation Special Prize for Japanese Studies\, Japanese Ministry of Foreign Affairs special award for the promotion of Japanese-Turkish academic relations\, and the Alexander von Humboldt Foundation George Forster research award. \nOrganizer:\nProf. Dominic Sachsenmaier\, University of Göttingen
URL:https://www.cemeas.de/event/prof-selcuk-esenbel-bogazici-univ-istanbul-legal-transformation-contemporary-civilization-and-sovereignty-global-perspectives-on-the-quest-for-modernity-in-japan-china-and-turkey/
LOCATION:VG 0.110
CATEGORIES:Lecture
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DTSTART;TZID=Europe/Berlin:20230511T181500
DTEND;TZID=Europe/Berlin:20230511T194500
DTSTAMP:20260616T180432
CREATED:20230505T174726Z
LAST-MODIFIED:20230511T123305Z
UID:10695-1683828900-1683834300@www.cemeas.de
SUMMARY:Dr. Hu Nan\, Fudan University: Towards an Anticolonial Asian Cinema: the 1957 Asian Film Week and China’s Imagination of Asia
DESCRIPTION:11. May\, 18:15 – 19:45\nVG 2.103 \nAbstract:\nThis talk traces the forgotten history of the Asian Film Week held by and in China in 1957. It engages with two recent discussions of cultural politics in the Cold War era. First\, there is a growing interest in Sino-Asian cultural relations in the 1950s and 1960s\, but scholars have not focused attention on film festivals\, which was a very important element of cultural diplomacy during the Cold War. Second\, studies on film festivals among Asian countries in this period highlight events sponsored by either the U. S. or the Soviet Union\, leaving the efforts and experiments of cinematic practices beyond the superpowers understudied. Drawing on a variety of sources including contemporary newspapers\, magazines\, festival brochures\, local film gazetteers\, government documents\, and the films shown at the 1957 Asian Film Week\, this talk demonstrates that film festival was a crucial part of China’s inter-Asian cultural diplomacy in the Bandung age and that the postcolonial Asian countries played an active role in defining “Asian cinema” and “Asianness” alternative to the superpowers’ imagination. Not only did the Film Week build an inter-Asian cinematic network beyond the Cold War divide to improve China’s diplomatic relations with many Asian countries\, but it also sought to unite Asian filmmakers with anticolonial aesthetics and agenda\, which challenged the cinema-as-entertainment model previously entrenched in other inter-Asian cinematic networks. This talk will also discuss the enduring influence of the Asian Film Week as an important event in the history of world cinema\, including its connections with the Afro-Asian Film Festival (1958-1964) and the Third Cinema movement. \nBio:\nNan Hu is a Postdoctoral Fellow in the Department of Chinese Language and Literature at Fudan University\, Shanghai. She earned her Ph. D. in Chinese and Comparative Literature in 2021 at Washington University in St. Louis\, where she completed a dissertation entitled “In Other Voices: Dubbing Foreign Films in Maoist China (1949-1976).” Her current research projects explore the idea of inter-Asian solidarity among Chinese intellectuals around the 1960s\, and the ways zoos have reconfigured the human-animal relationship vis-à-vis the Chinese projects of nation-building\, modernity\, and revolution. Her studies have been funded by the McDonnell International Scholars Academy\, the Center for the Humanities at Washington University\, Ministry of Education (Taiwan)\, and China Postdoctoral International Exchange Program\, among others. \nOrganizer:\nProf. Dominic Sachsenmaier\, University of Göttingen
URL:https://www.cemeas.de/event/dr-hu-nan-fudan-university-towards-an-anticolonial-asian-cinema-the-1957-asian-film-week-and-chinas-imagination-of-asia/
LOCATION:VG 2.103
CATEGORIES:Lecture
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