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DTSTART;TZID=Europe/Berlin:20220413T130000
DTEND;TZID=Europe/Berlin:20220414T160000
DTSTAMP:20260622T224322
CREATED:20220330T072038Z
LAST-MODIFIED:20220414T064039Z
UID:9763-1649854800-1649952000@www.cemeas.de
SUMMARY:Contemporary Theater Art Workshop: Waiting for Testing - Rewriting Theater History
DESCRIPTION:Waiting for Testing – Rewriting Theater History\nEvent canceled!\n  \nWe are very honored to invite Director TIAN Gebing and Choreographer WANG Yanan. They will host the workshop at the University of Göttingen on April 13 and 14. Amid the commonly experienced disorientation in this game-changing crisis\, the workshop “Waiting for Testing – Rewriting Theatre History” proposes to hold a discussion on the history of the past two decades to look again at how\, in contemporary performance\, fugitive resistance and personal insurgence have formed biographies of surprise\, as well at how collective heterogeneous energy was generated through fragmentary and inorganic connections\, against the backdrop of the development of socio-historical space and power landscape in China. Director Tian will also briefly introduce his new performance at the Humboldt Forum in Berlin. He will lead the workshop from the modern history of East-West exchanges since the 18th century to enter topics such as “revolution” and “colonization”\, trying to initiate discussions from a historical and macro perspective. \nTime: April 13\, 1: 00 PM-3: 00 PM (TIAN)\, April 14\, 1: 00 PM – 4: 00 PM (WANG) \nVenue: VG3.104\, the University of Göttingen \nThe first in-person event on April 13 is limited to 40 attendees\, and the second on April 14 is to 20. \nScan the QR codes on the posters to register.  \nShort bio:\nTIAN Gebing is a director\, curator\, and writer. He graduated from the Central Academy of Drama in Beijing in 1991. In 1997 he initiated the founding of Paper Tiger Studio. Over the past 20 years\, he has created a large number of artistic works and events mixing visual arts and performance. His works are seen in international cities and festivals around the world. Early works are exemplified by “Killer is Not Cold and High Art” (1998)\, “Cool” (2006)\, “Reading” (2010). From 2010 on he has shifted his focus to transcultural research and collaboration. Works in this period include “Dekalog” (2016)\, “500 Meters: Kafka\, Great Wall or Images from the Unreal World and Daily Heroism” (2017)\, “Infection\, State of Emergency\, Beethoven” (2020). Further in 2014 “Totally Happy” premiered at Münchner Kammerspiele. In 2021\, he collaborated with the ensemble of Muenchner Kammerspiele for “Hart Chamber Fragments”. \nWANG Yanan is a dancer and choreographer. She graduated from Beijing Dance Academy. Since 1999 Wang worked for ten years with Living Dance Studio and was part of productions such as Birth Report and Body Report. She toured international cities and festivals and won the ZKB Award at Zürcher Theater Spektakel. In 2004\, she founded Le Se Dance Studio and has created works such as Le Se 1\, Le Se 2\, House\, etc. She collaborated with artists with various backgrounds and toured in European countries. She has been part of Paper Tiger works since 2001\, as a performer\, concept\, and choreography. In 2014\, she was commissioned by Hong Kong Arts Festival for Iron Horse. In 2014 she collaborated with Münchner Kammerspiele and Goethe Institute (China) for Totally Happy. In 2016 she was commissioned by Stary Teatr Kraków for “Dekalog”. In 2017 she worked with Thalia Theater Hamburg to create 500 Meters: Kafka\, Great Wall or Images from the Unreal World\, and Daily Heroism. In 2021 she collaborated again with Münchner Kammerspiele for “Heart Chamber Fragments”. \n \n  \n  \n  \n  \n“当代剧场艺术” 工作坊 \n待测——重写剧场史 \n4月13日-14日，东亚系将邀请剧场导演田戈兵和舞蹈家王亚男来哥廷根大学，现场主持工作坊 —— “待测：重写剧场史”。将表演、艺术史的讨论嵌合于正在发生的现实语境下，通过身体和调研工作坊，探讨上世纪90年代以来的20多年，在社会历史和政治权力空间演进下，“表演” 如何在 “出走离开” 的反抗和自反性行动中塑造了出人意料的个人史，并进而碎片式无机生成集体的异质性能量。除了 “重写剧场史”，田戈兵导还将介绍最新的 “洪堡论坛” 项目，带领工作坊由18世纪以来东西方交流的近代史，进入“革命”，“殖民”等话题，尝试进行宏观历史视角的讨论。 \n时间：4月13日，下午1：00-3：00（田）；4月14日，下午1：00-4:00（王） \n地点：哥廷根大学 VG3.104 \n报名：身体工作坊接受最多20位线下参与者。调研工作坊线下人数不超过40人。欢迎大家参加！请扫描海报右下角的二维码注册报名。两场活动，请分别报名。从速！我们为参与者准备了限量版的小纪念品！ \n个人简介： \n田戈兵，剧场导演、独立制作人、策展人。王亚男，舞蹈家、编舞。田戈兵1997年创立纸老虎戏剧工作室，主持了该工作室的所有演出计划。早期代表作品包括：《北京蓝》(1997)、《杀手不太冷及高雅艺术》(1998)、《酷》(2006)、《朗诵》(2010)等。在2010年，纸老虎开始跨文化研究性剧场的创作，进行广泛的国际合作。连续两年在比利时安特卫普创作了《误读三部曲》。2012年在中国和德国同时开始大型剧场研究项目《群众：非常高兴》，2014年10月在德国慕尼黑室内剧院全球首演。2016年为波兰克拉科夫国立老剧院制作委约作品《十诫》。2017年剧场研究项目《500米：卡夫卡、长城、来自不真实世界的图像和日常生活中的英雄主义》参加 “世界戏剧节”，首演于汉堡塔利亚剧院。2021年9月获得柏林表演艺术基金会支持，制作了特定场域装置性表演项目《解除》。2021年10月《某种类似于我的地洞：心室片段》在慕尼黑室内剧院进行了世界首演。2021-22年，田戈兵与王亚男将在柏林洪堡论坛推出研究性表演项目。
URL:https://www.cemeas.de/event/contemporary-theater-art-workshop-waiting-for-testing-rewriting-theater-history/
LOCATION:VG 3.104
CATEGORIES:Theater,Workshop
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2022/03/Tian-Gebing-poster-1.png
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DTSTART;TZID=Europe/Berlin:20220420T140000
DTEND;TZID=Europe/Berlin:20220420T160000
DTSTAMP:20260622T224322
CREATED:20220419T095217Z
LAST-MODIFIED:20220419T100945Z
UID:9854-1650463200-1650470400@www.cemeas.de
SUMMARY:Contemporary Theater Art Seminar Series 10: Writing new plays in China and the US
DESCRIPTION:Topic: Writing new plays in China and the US (and getting them produced) 在中国与美国的原创剧本写作和开发 \nSpeaker: ZHU Yi \nTime: April 20\, Wednesday\, New York 8:00 AM\, Göttingen 2:00 PM\, Beijing 8:00 PM \nZoom Meeting: https://uni-goettingen.zoom.us/j/98307551103 \nMeeting ID: 983 0755 1103 \nLanguage: English \n  \nContent \nWriting new plays in China and US 中美的青年编剧的写作环境 \nHow does an aspiring young playwright “enter the industry”? \nDo you write and submit? Or do you get commissioned and write? \nWhen you write in your second language in a foreign country; \nHow much do you get paid as the playwright for the production of your play? \nCan you make a living off writing? \nHow do the theater critics work? \nHow important are reviews to a playwright? \nGetting your plays out in China and the US 中美的原创剧本的开发环境 \nHow do you get your new plays produced? \nHow do the directors work with the playwright? \nHow do you get your plays published? \nHow does the industry discover new plays/talents? \nFrom page to stage\, how long does it usually take? \nDo China and the US have different tastes in new plays? \nWhat kind of plays are popular in both countries? (And how to write those?) \nShort Bio \nZHU Yi is an NYC-based playwright and screenwriter\, born and raised in Shanghai. MFA in playwriting\, Columbia University.  BA in Theater and Film Literature\, Nanjing University. She is a member of Ma-Yi Writers Lab\, and the Royal Court Theatre’s International Playwrights Programme; an alumnus of New York Theatre Workshop’s Emerging Artist Fellowship\, Ensemble Studio Theatre’s Obie Award-winning playwrights group Youngblood\, and Clubbed Thumb’s Emerging Writers Group. She is a guest lecturer at Nanjing University. Her stage plays include You Never Touched the Dirt (Clubbed Thumb\, NYC; Edinburgh International Festival)\, I Am a Moon (Drum Tower West Theater\, Beijing; National Performing Arts Center of China)\, How Time Flies (National Theatre of China)\, A Deal (Urban Stages\, NYC; Chippen Theater\, Sydney)\, Holy Crab! (Wellspring Theater\, Taipei; Círculo de Tiza\, Monterrey)\, Apene i Himalaya (Hålogaland Teater\, Tromsø)\, I Know You (National Theater of Ireland)\, among others. Apolitical Romance\, a feature film she co-wrote\, received a nomination for Best Narrative Feature at the 2013 Taipei Film Festival. \n朱宜，上海出生长大，常住纽约。哥伦比亚大学戏剧编剧硕士，南京大学戏文本科。获2015全球泛华青年剧本创作竞赛一等奖。获上海戏剧谷壹戏剧大赏“2015年度菁英编剧”奖。获纽约戏剧工作坊新锐艺术家基金。获美国斯隆基金会的科学戏剧委托创作基金。纽约Ma-Yi剧院编剧团体成员。英国皇家宫廷剧院国际编剧项目成员。美国戏剧家协会会员。曾任纽约Ensemble Studio Theatre驻场编剧。南京大学文学院客座教师。 \n作品有话剧《长生》、《我是月亮》、《Holy Crab!异乡记》、《特洛马克》、《杂音》、《世外》、电影《对面的女孩杀过来》等，曾在爱丁堡国际艺术节、国家大剧院、中国国家话剧院-中国原创话剧邀请展、上海大剧院、上海话剧艺术中心、国话先锋剧场、外百老汇、圣路易斯莎士比亚戏剧节、北京青戏节、台湾戏曲中心、台湾水源剧场、挪威北极剧院、纽约亚洲电影节、台北电影节、台北金马影展、布宜诺斯艾利斯影展、福冈电影节、夏威夷电影节、意大利乌迪内远东电影节、西班牙大西洋影展、北京独立影展、台北国际纪录片影展等公演公映。剧本集《我是月亮》（译林出版社）。
URL:https://www.cemeas.de/event/lecture-writing-new-plays-in-china-and-the-us/
LOCATION:Zoom
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2022/04/zhu-yi.jpeg
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