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DTSTART;TZID=Europe/Berlin:20220504T160000
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DTSTAMP:20260622T214836
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SUMMARY:Contemporary Theater Art Seminar Series 11: Performing the Socialist State
DESCRIPTION:Performing the Socialist State \nSpeaker: Professor Xiaomei CHEN \nTime: May 4\, California 7:00 AM\, Wednesday\, Göttingen 4:00 PM\, Beijing 10:00 PM \nZoom Meeting: https://uni-goettingen.zoom.us/j/95966904122 \nMeeting ID: 959 6690 4122 \nLanguage: English \nPoster: Nathalie Morenings \n\n\n\nContent \nThe lecture offers a quick overview of Xiaomei Chen’s forthcoming book\, Performing the Socialist State: Moments\, Crisis and Success of Modern Chinese Theater (Columbia University Press\, 2022). It begins with the theatrical achievements of Tian Han\, Hong Shen\, and Ouyang Yuqian\, three founders of spoken drama\, and asks how their legacies in the Republican period played important roles in constructing socialist theater. She will demonstrate how these multi-faceted leaders provided the blueprints for the Maoist theater in the PRC\, contrary to the conventional claim that the PRC theater is a total break-away from the Republican period. To this end and in this context\, she will reflect on the continuities with the performing culture in the Republican period through examinations of “Rightist satirical comedies” in the 1950s\, women’s theater and film “red classic” in the 1960s\, scientists on stage in the Maoist and post-Maoist periods\, and soldiers in the transformation from the Republican\, to the socialist\, and finally\, to the post-socialist stage. She will also explore the relationship between science and theater\, music and theater\, and artists and their collective identities as “new cultural workers.” \nShort Bio\nXiaomei Chen is a Distinguished Professor at the University of California at Davis where she teaches modern Chinese literature\, film\, and theater. She is the author of Occidentalism (1995)\, Acting the Right Part (2002)\, and Staging Chinese Revolution (2016). She is the editor of Reading the Right Text (2003) and Columbia Anthology of Modern Chinese Drama (2010) and co-editor\, with Claire Sponsler\, of East of West: Cross-Cultural Performances and the Staging of Difference (2000)”; with Julia Andrew\, of Visual Culture in Contemporary China (2001)\, with Steven Siouan Liu\, Hong Shen and the Modern Mediasphere in Republican-Era China (2016)\, and with Tarryn Chun and Siyuan Liu\, Rethinking Socialist Theater Reform (2021). \nFurther information: https://yingmingtheater.com/seminar-series-no-11/\n\nOrganizer \n哥廷根大学东亚系 \n\n南京大学戏剧影视文学系 \n\n\nPartner \n哥廷根大学现代东亚研究中心 \n\n哥廷根大学嘤鸣戏剧社 \n\n哥廷根大学学术孔子学院 \n\n哥廷根中国学生学者联合会
URL:https://www.cemeas.de/event/lecture-performing-the-socialist-state/
LOCATION:Zoom
CATEGORIES:Theater
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DTEND;TZID=Europe/Berlin:20220525T160000
DTSTAMP:20260622T214836
CREATED:20220602T064142Z
LAST-MODIFIED:20220602T064142Z
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SUMMARY:Contemporary Theater Art Seminar Series No. 12
DESCRIPTION:Writing a Play Script and Teaching How to Write One\nGuo Chenzi\nTime: Wednesday\, May 25\, 2: 00 PM CET\nZoom Meeting: https://uni-goettingen.zoom.us/j/62861416226\nMeeting ID: 628 6141 6226\nLanguage: Chinese \nContent \n1. Can we “learn” how to write a play? What are the pros and cons of playwriting “apprenticeships”? \n写剧本能“学”吗？ 编剧“学徒制”的利与弊。 \n2. Can we “teach” how to write a play? Is teaching playwriting equivalent to play diagnosis? \n写剧本能“教”吗？ 编剧教学=剧本诊断？ \n3. What is dramaturgy in the opinion of a playwright? How did I write “Hudec”? \n编剧眼中的 Dramaturgy 与《邬达克》的写作。 \nShort Bio \nGUO Chenzi\, M.A.\, associate professor of Shanghai Theater Academy. Her works written include the dramas performed in black box theaters “Don’t Ask Who I Am”\, “Love Slimming”\, “Resurrection”\, the musical drama “Zhong Kui”\, “A Moment Is Not Forever”\, the musical “Jews in Shanghai” (cooperation with others)\, stage plays “Hudec” and “Clear Ripples”\, etc. She has published books Kunqu Opera: The Past Life I See in This Life\, A Moment Is Not Forever – Guo Chenzi’s Drama Collection\, The Curtain Opens – Guo Chenzi’s Drama Critic Collection\, and Chenzi Watching Dramas. \n郭晨子，文学硕士，上海戏剧学院副教授。编剧并上演的作品主要有小剧场话剧《别问我是谁》《爱情瘦身》《还魂记》、音乐话剧《钟馗》《瞬间不是永远》、音乐剧《犹太人在上海》（与人合作）、舞台剧《邬达克》《清清涟漪》等。出版有《昆曲 今生看到的前世》《瞬间不是永远——郭晨子剧作集》《大幕拉开——郭晨子戏剧评论集》和《晨子看戏》 \n  \nFor further information please refer to Yingming Theater.
URL:https://www.cemeas.de/event/contemporary-theater-art-seminar-series-no-12/
LOCATION:Zoom
CATEGORIES:Theater
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