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DTSTART;TZID=Europe/Berlin:20220413T130000
DTEND;TZID=Europe/Berlin:20220414T160000
DTSTAMP:20260504T045442
CREATED:20220330T072038Z
LAST-MODIFIED:20220414T064039Z
UID:9763-1649854800-1649952000@www.cemeas.de
SUMMARY:Contemporary Theater Art Workshop: Waiting for Testing - Rewriting Theater History
DESCRIPTION:Waiting for Testing – Rewriting Theater History\nEvent canceled!\n  \nWe are very honored to invite Director TIAN Gebing and Choreographer WANG Yanan. They will host the workshop at the University of Göttingen on April 13 and 14. Amid the commonly experienced disorientation in this game-changing crisis\, the workshop “Waiting for Testing – Rewriting Theatre History” proposes to hold a discussion on the history of the past two decades to look again at how\, in contemporary performance\, fugitive resistance and personal insurgence have formed biographies of surprise\, as well at how collective heterogeneous energy was generated through fragmentary and inorganic connections\, against the backdrop of the development of socio-historical space and power landscape in China. Director Tian will also briefly introduce his new performance at the Humboldt Forum in Berlin. He will lead the workshop from the modern history of East-West exchanges since the 18th century to enter topics such as “revolution” and “colonization”\, trying to initiate discussions from a historical and macro perspective. \nTime: April 13\, 1: 00 PM-3: 00 PM (TIAN)\, April 14\, 1: 00 PM – 4: 00 PM (WANG) \nVenue: VG3.104\, the University of Göttingen \nThe first in-person event on April 13 is limited to 40 attendees\, and the second on April 14 is to 20. \nScan the QR codes on the posters to register.  \nShort bio:\nTIAN Gebing is a director\, curator\, and writer. He graduated from the Central Academy of Drama in Beijing in 1991. In 1997 he initiated the founding of Paper Tiger Studio. Over the past 20 years\, he has created a large number of artistic works and events mixing visual arts and performance. His works are seen in international cities and festivals around the world. Early works are exemplified by “Killer is Not Cold and High Art” (1998)\, “Cool” (2006)\, “Reading” (2010). From 2010 on he has shifted his focus to transcultural research and collaboration. Works in this period include “Dekalog” (2016)\, “500 Meters: Kafka\, Great Wall or Images from the Unreal World and Daily Heroism” (2017)\, “Infection\, State of Emergency\, Beethoven” (2020). Further in 2014 “Totally Happy” premiered at Münchner Kammerspiele. In 2021\, he collaborated with the ensemble of Muenchner Kammerspiele for “Hart Chamber Fragments”. \nWANG Yanan is a dancer and choreographer. She graduated from Beijing Dance Academy. Since 1999 Wang worked for ten years with Living Dance Studio and was part of productions such as Birth Report and Body Report. She toured international cities and festivals and won the ZKB Award at Zürcher Theater Spektakel. In 2004\, she founded Le Se Dance Studio and has created works such as Le Se 1\, Le Se 2\, House\, etc. She collaborated with artists with various backgrounds and toured in European countries. She has been part of Paper Tiger works since 2001\, as a performer\, concept\, and choreography. In 2014\, she was commissioned by Hong Kong Arts Festival for Iron Horse. In 2014 she collaborated with Münchner Kammerspiele and Goethe Institute (China) for Totally Happy. In 2016 she was commissioned by Stary Teatr Kraków for “Dekalog”. In 2017 she worked with Thalia Theater Hamburg to create 500 Meters: Kafka\, Great Wall or Images from the Unreal World\, and Daily Heroism. In 2021 she collaborated again with Münchner Kammerspiele for “Heart Chamber Fragments”. \n \n  \n  \n  \n  \n“当代剧场艺术” 工作坊 \n待测——重写剧场史 \n4月13日-14日，东亚系将邀请剧场导演田戈兵和舞蹈家王亚男来哥廷根大学，现场主持工作坊 —— “待测：重写剧场史”。将表演、艺术史的讨论嵌合于正在发生的现实语境下，通过身体和调研工作坊，探讨上世纪90年代以来的20多年，在社会历史和政治权力空间演进下，“表演” 如何在 “出走离开” 的反抗和自反性行动中塑造了出人意料的个人史，并进而碎片式无机生成集体的异质性能量。除了 “重写剧场史”，田戈兵导还将介绍最新的 “洪堡论坛” 项目，带领工作坊由18世纪以来东西方交流的近代史，进入“革命”，“殖民”等话题，尝试进行宏观历史视角的讨论。 \n时间：4月13日，下午1：00-3：00（田）；4月14日，下午1：00-4:00（王） \n地点：哥廷根大学 VG3.104 \n报名：身体工作坊接受最多20位线下参与者。调研工作坊线下人数不超过40人。欢迎大家参加！请扫描海报右下角的二维码注册报名。两场活动，请分别报名。从速！我们为参与者准备了限量版的小纪念品！ \n个人简介： \n田戈兵，剧场导演、独立制作人、策展人。王亚男，舞蹈家、编舞。田戈兵1997年创立纸老虎戏剧工作室，主持了该工作室的所有演出计划。早期代表作品包括：《北京蓝》(1997)、《杀手不太冷及高雅艺术》(1998)、《酷》(2006)、《朗诵》(2010)等。在2010年，纸老虎开始跨文化研究性剧场的创作，进行广泛的国际合作。连续两年在比利时安特卫普创作了《误读三部曲》。2012年在中国和德国同时开始大型剧场研究项目《群众：非常高兴》，2014年10月在德国慕尼黑室内剧院全球首演。2016年为波兰克拉科夫国立老剧院制作委约作品《十诫》。2017年剧场研究项目《500米：卡夫卡、长城、来自不真实世界的图像和日常生活中的英雄主义》参加 “世界戏剧节”，首演于汉堡塔利亚剧院。2021年9月获得柏林表演艺术基金会支持，制作了特定场域装置性表演项目《解除》。2021年10月《某种类似于我的地洞：心室片段》在慕尼黑室内剧院进行了世界首演。2021-22年，田戈兵与王亚男将在柏林洪堡论坛推出研究性表演项目。
URL:https://www.cemeas.de/event/contemporary-theater-art-workshop-waiting-for-testing-rewriting-theater-history/
LOCATION:VG 3.104
CATEGORIES:Theater,Workshop
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2022/03/Tian-Gebing-poster-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220316T130000
DTEND;TZID=Europe/Berlin:20220316T143000
DTSTAMP:20260504T045442
CREATED:20220121T121127Z
LAST-MODIFIED:20220217T084638Z
UID:9702-1647435600-1647441000@www.cemeas.de
SUMMARY:“Contemporary Theater Art” Seminar Series No. 9: Comedies in contemporary Chinese theatre – a sudden boom
DESCRIPTION:Comedies in contemporary Chinese theatre – a sudden boom\nSpeaker: Sabine Heymann\, Dr. Anna Stecher \nTime: Mar. 16\, Wednesday\, 1:00 PM-2:30 PM CET \nZoom Meeting: https://uni-goettingen.zoom.us/j/97996297643 \nMeeting ID: 979 9629 7643 \nLanguage: English \n  \nContent \nSabine Heymann in conversation with Anna Stecher about her new book „Die Konjunktur der Komödie im China der Gegenwart“ (The boom of comedies in contemporary China) –  which presents six current successful comedies from China in German translation. \nChinese theatre is not famous for comedies. As far as we know\, up to now\, no Western book has been explicitly dedicated to this topic. However\, comedies are among the most-watched and discussed plays in contemporary Chinese theatre of recent years – and someone might even argue\, that in present time comedy has become the most serious theatrical expression on the Chinese stage. Entangled with the commercialization of theatre\, new cultural structures\, and the changing of urban audiences\, the question is: How is this phenomenon to be understood? As a sudden boom influenced by narrative conventions of Western cinema? As a special expression of a millennial tradition of entertainment – and critique? It has to be said: comedies as an own genre didn’t really exist within the Chinese theatre tradition. On the other hand:  elements of comedy have always been an important piece of the big xiqu tragedies. \nWhile Chinese audiences are familiar with actors and plays\, academic research does not appear to be interested in contemporary comedies\, not to mention possible readers and audiences outside China\, which have hardly heard of them. This was the reason for Anna Stecher and her colleague Xu Jian in Beijing to plan a book project focusing on contemporary Chinese comedies. It presents some of the most popular recent plays\, written by Nick Yu\, Wen Fangyi\, Huang Weiruo\, Lin Weiran\, Guo Shixing\, and Li Jing. It also aims to propose different approaches towards Chinese theatre – every play in translation is introduced by an expert from the fields of Chinese studies or Theatre studies. In addition\, it intends to contextualize the recent phenomenon of comedies within different fields\, such as the social reality in contemporary China and the history of comedy in China and to discuss questions like: Which topics are contemporary Chinese comedians interested in? How can this phenomenon be understood in the context of the 20th and 21st centuries in China? How can these comedies be understood in Europe? Last but not least\, it aims at exploring comedy as a text for intercultural communication. When watching theatrical comedy performances on stage or on tape you think: what the heck is so funny about them? Questions like these are discussion topics of the book – and some more will be addressed in the “Contemporary Theater Art” Seminar Series. \n  \nMore information about the speakers and the event can be found here. \n  \n  \n \nPoster: Zhang Tong \n 
URL:https://www.cemeas.de/event/theater-seminar-comedies-in-contemporary-chinese-theatre-a-sudden-boom/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2022/01/theaterseries-e1642767164148.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220112T130000
DTEND;TZID=Europe/Berlin:20220112T143000
DTSTAMP:20260504T045442
CREATED:20220111T093505Z
LAST-MODIFIED:20220111T100010Z
UID:9640-1641992400-1641997800@www.cemeas.de
SUMMARY:Lecture: Play and Performance of Hometown: A Talk on College Theater Production
DESCRIPTION:Play and Performance of Hometown: A Talk on College Theater Production\nSpeaker: Assoc. Prof. Dr. GAO Ziwen\n  \n  \n  \n  \nTime: Jan. 12\, Wednesday\, 1:00 PM-2:30 PM CET\, Beijing Time 8:00 PM-9:30 PM\nZoom Meeting: https://uni-goettingen.zoom.us/j/96138078236Meeting ID: 96138078236\nLanguage: Chinese with English interpretation\nPoster: Zhang Tong / Yumin Ao\nMore information under: https://yingmingtheater.com/seminar-series-no-8/\n \n\n讲题:《故乡》的编剧与制作——兼谈校园戏剧创作 \n嘉宾: 高子文（博士）副教授 \n时间: 1月12日（周三）欧洲中部时间 下午13:00时 北京时间 晚间20:00时 \n地点：https://uni-goettingen.zoom.us/j/96138078236 \n会议号：96138078236 \n语言：中文配英文翻译 \n海报：张桐 / 敖玉敏 \n\nLecture Content 讲座内容 \n\nTo introduce the production background of Hometown 介绍舞台剧《故乡》的剧本创作背景\nTo describe the production process and market promotion 描绘《故乡》的制作流程和市场推广\nTo discuss the advantage and challenges for college theater productions 讨论校园戏剧创作的优势和面临的困境\n\nShort Bio 个人简介 \nGao Ziwen: associate professor at Nanjing University\, head of the Department of Theater\, Film\, and TV Arts\, and deputy dean of the School of Liberal Arts. He received a bachelor’s degree in Chinese Language and Literature and earned his M.A. and Ph.D. degrees in Theater and Traditional Chinese Drama Studies from Nanjing University. In 2011\, he was a visiting scholar at Columbia University. In 2013\, he participated in the artist-in-residence program in Austria. He currently acts as the executive editor of Stage and Screen Review. In 2019\, he was awarded the Fund for Outstanding Young Scholars in Social Sciences in Jiangsu province. He was selected by the Jiangsu Province “Qinglan Initiative” as one of the young and mid-aged academic leaders in 2021. His research interests include theatrical theories and theater criticism. He has completed\, as Principle Investigator\, several research projects in social sciences at national and provincial levels. He was granted the Young Teacher Award of the Fok Yingdong Education Foundation. He wrote a monograph Wenming de nizi: Meiguo xiandai xiju de zhongguo xushu and translated American Avant–Garde Theatre: A History into Chinese. He has published over 30 papers which can be seen in Literature and Art Studies\, The Journal of National Taiwan Normal University\, and Theater Arts\, etc. He also authored stage plays\, including Day and Night Here\, Pollution and Purification\, and Hometown. \n高子文：南京大学文学院副教授，文学院戏剧影视艺术系主任，文学院副院长。南京大学汉语言文学本科，戏剧戏曲学硕士、博士。2011年哥伦比亚大学访问学者。2013年参加奥地利驻地艺术家项目。现任《戏剧与影视评论》执行主编。2019年入选江苏省社科优青。2021年入选江苏省“青蓝工程”中青年学术带头人。主要研究领域为戏剧理论、戏剧批评。主持完成国家社科项目、江苏省社科项目多项，获霍英东青年教师基金。出版有个人专著《文明的逆子们：美国现代戏剧的中国叙事》，译著《美国先锋戏剧：一种历史》。在《文艺研究》《台大中文学报》《戏剧艺术》等刊物发表论文30余篇。创作有舞台剧剧本《这里的白天和夜晚》《污染和净化》《故乡》。 \nEvent Information 活动介绍 \nWe are honored to invite Assoc. Prof. Dr. Gao Ziwen of the Department of Theater\, Film\, and TV Arts of Nanjing University as our first guest speaker for the “Contemporary Theater Art” Seminar Series in the Year 2022. He will deliver a talk on “Play and Performance of Hometown: College Theater Production.” \nHometown is a three-act comedy written by Dr. Gao. The author demonstrates his respect for Lu Xun to mark the 100th anniversary of Lu’s publication of the novelette of the same name. The play tells the social life in rural China while experiencing dramatic changes. It demonstrates snobbish or friendly relationships in the countryside as well. It depicts the mental distress of peasants in the hometown and educated young people who have made their exodus to cities. It presents the tension between people’s “being adaptable” and “being rigid.” The whole thrust of the drama is full of humor and irony. Meanwhile\, it makes the audiences reflect on China’s rural economic and social development. \nTheir department is housed in the Faculty of Literature. It offers one of the most influential and leading undergraduate and graduate programs in drama or theater studies at the C9 League universities in China. They produced the historical comedy President’s Invitation in 2012. The director was Prof. Lü Xiaoping\, and the play was authored by Lü’s student Wen Fangyi whom The Journal of Ying Ming Theater (Vol. 7) interviewed. The cast consisted of the students and teachers from Communication University of China (Nanjing) and the MFA students from Nanjing University. This drama has grossed ¥10 million at the box office. It went on tour in North America in 2013. The New York Times (Chinese Edition) published an analytical article on the reasons for the success of this production and the phenomenon of returning to dramatic texts in the current Chinese theater landscape. \nThis event is co-organized by the Center for Modern East Asian Studies of the University of Göttingen and the Department of Theater\, Film\, and TV Arts of Nanjing University. Further detailed information concerning the time and the venue can be found on the poster. \n“当代剧场艺术”讲座系列很荣幸地邀请到了南京大学戏剧影视文学系的高子文教授。他将为大家带来该系列2022新年第一讲，题目是“《故乡》的编剧与制作：兼谈校园戏剧创作”。 \n《故乡》是高子文副教授担任编剧创作的三幕喜剧，本剧为纪念鲁迅先生的短篇小说《故乡》发表100周年而做。该剧讲述了山乡巨变时代下中国农村的生活面貌与人情世故，描写了故乡农民和从故乡出走的青年知识分子的精神苦闷。戏剧冲突在人的“改变”与“固守”之间展开，语言幽默诙谐，同时又不失对中国乡土社会重建以及现代农村经济发展的深刻反省。 \n南京大学文学院下设的戏剧影视文学系提供戏剧专业教育，是“中国九校联盟”中最具影响力和最前沿的本科及研究生项目之一。2012年，南大推出了以校史为题材的喜剧《蒋公的面子》，首演反响强烈，随即开启全国巡演，目前票房已超千万。该剧由时任戏剧影视文学系系主任的吕效平教授担任导演，编剧温方伊是南京大学戏文专业本科三年级学生（哥廷根大学《嘤鸣戏剧》曾对作者进行了采访，见第7期），演员由中国传媒大学南广学院表演专业的师生和南京大学戏剧专业硕士担任。2013年，该剧进入北美，在旧金山、洛杉矶、达拉斯、休斯顿、波士顿、华盛顿、纽约七个城市为华人观众演出10场。《纽约时报》（中文版）曾刊载专题文章，分析了该剧在海内外取得成功的原因，并讨论了当下戏剧创作回归文本的现象。 \n本次活动由哥廷根大学东亚系与南京大学戏剧影视文学系联合主办，活动详情请见海报。 \n  \n\nOrganizer / 主办: \n哥廷根大学现代东亚研究中心 \n\n南京大学戏剧影视文学系 \n\nPartner / 协办: \n哥廷根大学嘤鸣戏剧社 \n\n哥廷根大学学术孔子学院 \n\n哥廷根中国学生学者联合会
URL:https://www.cemeas.de/event/play-and-performance-of-hometown-a-talk-on-college-theater-production/
CATEGORIES:Lecture,Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2022/01/contemporary-theater-art-seminar-series-no.-8-en.-png.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211211T130000
DTEND;TZID=Europe/Berlin:20211211T140000
DTSTAMP:20260504T045442
CREATED:20211206T083913Z
LAST-MODIFIED:20211206T083927Z
UID:9592-1639227600-1639231200@www.cemeas.de
SUMMARY:Online Drama Reading: 活着 - To Live
DESCRIPTION:Time: Dec. 11\, Sat. 1: 00 PM CET \n  \nZoom: https://uni-goettingen.zoom.us/j/97211990533 \nMeeting ID: 972 1199 0533 \nLanguage: Chinese \nZoom QR: \n \nPlay Script: To Live or Huozhe in Chinese\, a play by Zhang Xian adapted from Yu Hua’s novel of the same name. It describes the struggles endured by the son of a wealthy land-owner\, Fugui\, in China from the 1940s to the 1970s
URL:https://www.cemeas.de/event/online-drama-reading-%e6%b4%bb%e7%9d%80-to-live/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2021/12/huozhe.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211208T130000
DTEND;TZID=Europe/Berlin:20211208T143000
DTSTAMP:20260504T045442
CREATED:20211109T143829Z
LAST-MODIFIED:20211116T145552Z
UID:9499-1638968400-1638973800@www.cemeas.de
SUMMARY:“Contemporary Theater Arts” Seminar Series No. 7: Illustrating the Stage of Hong Kong for Audiences of the Present and the Future
DESCRIPTION:My Creative Journey as a Curator of the Exhibition “A Snap beyond Borders” \nSpeaker: Chan Kwok Wai Bernice \nTime: Dec. 8th\, Wednesday\, 1:00 PM-2:30 PM CET \nLanguage: English\nOrganizer: Yingming Theater\n \n______________________ \nZoom Meeting\n \nMeeting ID: 964 2065 8426 \nPasscode: 339948 \n  \n \nChan Kwok Wai Bernice is currently the General Manager of the International Association of Theatre Critics (Hong Kong)\, and an Examiner for the Hong Kong Arts Development Council (Drama Committee). She is also a Panel Member of the Hong Kong Drama Awards\, the Hong Kong Theatre Libre\, and the IATC(HK) Critics Awards\, as well as an Executive Committee Member of the International Association of Libraries\, Museums\, Archives and Documentation Centres of the Performing Arts (SIBMAS). \nShe received the Hong Kong Arts Development Council-University of Leeds-Chevening Scholarships in 2005 and obtained her Master of Arts in Theatre Studies from the University of Leeds (UK). She was also an Art Form Panel Member (Festivals) of the Leisure and Cultural Services Department (2011–2016)\, an Advisory Committee Member of School of Drama\, the Hong Kong of Academy for Performing Arts (2017–2018)\, as well as a guest host of Artscritique (2007–2018)and a Radio and Television Hong Kong radio programme. Chan has curated and edited over 50 publishing projects about performing arts. Her recent editorial projects have included Ten Years of A City: Selected Hong Kong Plays (2003–2012)\, which was awarded the 11th Hong Kong Book Prize in 2018\, and “A Snap beyond Borders: An Online Archive and Education Project of Hong Kong Theatre and Performance Photography”.
URL:https://www.cemeas.de/event/chinese-theater-illustrating-the-stage-of-hong-kong-for-audiences-of-the-present-and-the-future/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2013/01/628d554b6bc5f03fbd67ef305cbed0d2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211124T130000
DTEND;TZID=Europe/Berlin:20211124T143000
DTSTAMP:20260504T045442
CREATED:20211109T143641Z
LAST-MODIFIED:20211116T145356Z
UID:9497-1637758800-1637764200@www.cemeas.de
SUMMARY:Chinese Theater: Eco-environmental Performance in and outside Contemporary Chinese Theater
DESCRIPTION:Speaker: DING Liu \nTime: Wed. Nov. 24\, 2021. 1:00-2:30 PM CET \nVenue: https://uni-goettingen.zoom.us/j/94944402503 \nMeeting ID: 949 4440 2503 \nOrganizer: Yingming Theater
URL:https://www.cemeas.de/event/chinese-theater-eco-environmental-performance-in-and-outside-contemporary-chinese-theater/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2013/01/628d554b6bc5f03fbd67ef305cbed0d2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211117T140000
DTEND;TZID=Europe/Berlin:20211117T163000
DTSTAMP:20260504T045442
CREATED:20210928T075900Z
LAST-MODIFIED:20210928T075900Z
UID:9253-1637157600-1637166600@www.cemeas.de
SUMMARY:Yingming Theater #5: The Poetic Quest and its Expression in Dramatic Writing
DESCRIPTION:The Poetic Quest and its Expression in Dramatic Writing 戏剧创作中的诗性追求及其表达\nTime: Wed. Nov. 17\, 2021. 2:00 PM CET 2021年11月17日周三，欧洲中部时间下午2点\n  \nVenue: https://uni-goettingen.zoom.us/j/97981532103?pwd=Ykh5ZlgvTG1sYWxWdWxzVHdyOEFZQT09\nZoom Meeting ID: 979 8153 2103\nLanguage: Chinese 中文\nLive Streaming:\nInvited Speakers: Dr. ZHONG Haiqing 钟海清博士\nPoster: Zhang Tong 张桐 \n\nLecture Content 讲座内容 \n\nReview of theoretical perspectives on “poetic drama” in China and abroad 回顾中外“诗剧”的理论观点\nExploring poetic expression in contemporary theatre 探讨现当代戏剧中的诗性表达\nFrom fragments to synthesis – Poetic expression in the stages of my dramatic writing 从片断到整体——诗性表达在本人戏剧创作的几个阶段\nQuestions and Discussion 讨论与交流\n\nShort Bio 钟海清博士简介 \nA playwright of the National Theatre of China\, ZHONG Haiqing graduated from the Shanghai Theatre Academy and the Central Academy of Drama with a PhD in Fine Arts\, and is an active creator in the current stage art scene. His representative works include The Bells of Jingyang\, The White-Skeleton Demon Subdues the Monkey King Three Times\, Time of Sorrow\, Dou Zhi Er\, The White Snake and Kill the Autumn Dream. He has published nearly twenty professional papers in journals such as Theatre Art\, Playwright\, New Play\, and Shanghai Drama. He has been invited to participate in domestic and international academic seminars. \n钟海清，中国国家话剧院编剧，先后毕业于上海戏剧学院与中央戏剧学院，艺术学博士，活跃于当下舞台艺术界的创作者。代表作品包括《景阳钟声》、《白骨精三打孙悟空》、《悲情时光》、《豆汁儿》、《白蛇》、《杀死秋天的梦》等。在《戏剧艺术》、《剧作家》、《新剧本》、《上海戏剧》等期刊上发表专业论文近二十篇。累计受邀参加国内及国际学术研讨会十余次。 \n  \n\nOrganizer/主办: \n\nAcknowledgement/鸣谢: \n哥廷根大学现代东亚研究中心 \n\n哥廷根大学学术孔子学院 \n\n  \n\n\n 
URL:https://www.cemeas.de/event/yingming-theater-5-the-poetic-quest-and-its-expression-in-dramatic-writing/
CATEGORIES:Lecture,Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2021/09/20211117-钟海清博士.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210713T160000
DTEND;TZID=Europe/Berlin:20210713T220000
DTSTAMP:20260504T045442
CREATED:20210710T145927Z
LAST-MODIFIED:20210710T145947Z
UID:9141-1626192000-1626213600@www.cemeas.de
SUMMARY:Virtual Theater Project 
DESCRIPTION:China Topography 2021 is a virtual theater project conceptualized by Prof. Dr. Li Yinan\, which includes The Peach Blossom Land\, The River\, Relics\, The Escape\, and News Broadcast. Prof. Sebastian Kaiser and students at the Central Academy of Theater will join her to present the performances on July 13. You may find more details from the program.\n\n\n\nAnyone who is interested is warmly welcome! To register for participation\, just send a message to chinatopo2021@outlook.com
URL:https://www.cemeas.de/event/virtual-theater-project/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2021/07/14235.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210624
DTEND;VALUE=DATE:20210627
DTSTAMP:20260504T045442
CREATED:20210630T095641Z
LAST-MODIFIED:20210630T095641Z
UID:9120-1624492800-1624751999@www.cemeas.de
SUMMARY:Shouxin Kuaile 收信快乐 Love Letters
DESCRIPTION:A Monological & Digital Theater Produced by Ying Ming Theater in Göttingen\, Germany \n数字剧场独白剧，德国哥廷根嘤鸣剧社出品 \nThe innocence and ignorance of youth is a poem as it may seem and a mystery as I can dream. Shuttlecocking letters from afar for forty years\, I look for a love in my life. I wonder if time could stop at the moment when we first met\, without dislocation\, delusion and discrepancies. \n年少时的懵懂情愫，如诗如梦。四十年，驿寄梅花，鱼传尺素，寻一生知心爱人。盼人生若只如初见，不再错、错、错。 \nShouxin Kuaile (Love Letters) is adapted from a drama of the same name\, in which the motif of “love and regret” has been re-examined and constructed. The work highlights the thinking about encounters in life and the argument of free will\, showing how individuals experience inner conflicts in front of choices. This drama uses monologues and cross-media to present the heavy emotional burden carried by the two characters through the artistic technique of “cinema theater”. When the minimalist theater scenes and the verbal metaphor in the language of camera/photography meet\, Shouxin Kuaile\, a post dramatic theater\, will provide the audience a unique aesthetic experience online. \n《收信快乐》根据同名话剧改编而成，其中“爱情与遗憾”的母题被重新审视和构建，并在此基础上突出了对人生际遇与自由意志的思考，展现了个体在面临选择时所经历的内在冲突。作品用独白和跨媒体记录的方式将一段厚重的情感通过“电影剧场”的艺术手法呈现出来：当极简的戏剧场景和极富隐喻意义的镜头语言交汇时，独特的后戏剧剧场将为观众的线上观影提供别具一格的审美体验。 \nThis drama premieres at the 5th European Chinese Theater Festival (Online Special\, June 24-26) in Frankfurt. \n作品参加法兰克福“第五届欧洲中文戏剧节”(6月24日-26日)线上特别展演。 \n\n收信快乐
URL:https://www.cemeas.de/event/shouxin-kuaile-%e6%94%b6%e4%bf%a1%e5%bf%ab%e4%b9%90-love-letters/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2021/06/Shouxin-Kuaile-EN1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210606T130000
DTEND;TZID=Europe/Berlin:20210606T160000
DTSTAMP:20260504T045442
CREATED:20210504T115508Z
LAST-MODIFIED:20210504T144310Z
UID:8972-1622984400-1622995200@www.cemeas.de
SUMMARY:Online Script Reading: Secret Love in Peach Blossom Land
DESCRIPTION:Online Script Reading: Secret Love in Peach Blossom Land\nOnline script reading No. 39 hosted by Ying Ming Theater \nPlay: Secret Love in Peach Blossom Land\, written by Stan Lai (Chinese: 赖声川) \nTime: June 12th\, CET 13:00-16:00 \nZoom Meeting https://uni-goettingen.zoom.us/j/95083744298 \nID 950 8374 4298 \nContact: yingming.theater@gmail.com
URL:https://www.cemeas.de/event/online-script-reading-secret-love-in-peach-blossom-land/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2021/05/暗恋桃花源.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210508T080000
DTEND;TZID=Europe/Berlin:20210529T170000
DTSTAMP:20260504T045442
CREATED:20210504T112358Z
LAST-MODIFIED:20210504T144244Z
UID:8962-1620460800-1622307600@www.cemeas.de
SUMMARY:Hamlet Shakespeare Day 2021
DESCRIPTION:Hamlet Shakespeare Day 2021\nOnline script reading No. 38 hosted by Ying Ming Theater: Reading and Watching Shakespeare \nPlay: Hamlet\, written by William Shakespeare \nSchedule: \n  \nMay 8th\, CET 13:00-16:00\, reading the script (obligatory) \nMay 15th\, watching Hamlet\, a production by British National Theater (optional) \nMay 22nd\, watching Princess Hamlet\, a production by Theater Rampe (optional) \nMay 28th\, watching Hamlet\, a production by the Maxim Gorki Theatre (optional) \nMay 29th\, CET 13:00-16:00\, presentation and discussion (obligatory) \nFull Registrants. The Event is not open to the general public. \nContact: yingming.theater@gmail.com \n  \n  \nPictures on the announcement from left to right:\nPrincess Hamlet © The Rampe Theater\nHamlet © The Bochum Theater\nHamlet © The Maxim Gorki Theater
URL:https://www.cemeas.de/event/hamlet-shakespeare-day-2021/
LOCATION:Online
CATEGORIES:Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2021/05/Hamlet.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210501T130000
DTEND;TZID=Europe/Berlin:20210501T160000
DTSTAMP:20260504T045442
CREATED:20210504T112616Z
LAST-MODIFIED:20210504T144348Z
UID:8967-1619874000-1619884800@www.cemeas.de
SUMMARY:Online Script Reading: Saving Face
DESCRIPTION:Online Script Reading: Saving Face\nOnline script reading No. 37 hosted by Ying Ming Theater \nPlay: Saving Face\, written by Lao She (Chinese: 老舍) \n  \n  \nTime: May 1st\, CET 13:00-16:00 \nZoom Meeting https://uni-goettingen.zoom.us/j/94282596030 \nID  942 8259 6030 \nContact: yingming.theater@gmail.com
URL:https://www.cemeas.de/event/online-script-reading-saving-face/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2021/05/面子问题.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210318T140000
DTEND;TZID=Europe/Berlin:20210318T153000
DTSTAMP:20260504T045442
CREATED:20210215T124008Z
LAST-MODIFIED:20210215T124008Z
UID:8904-1616076000-1616081400@www.cemeas.de
SUMMARY:Online Theater Workshop: “Contemporary Theater Performance” Seminar Series No. 3
DESCRIPTION:“Contemporary Theater Performance” Seminar Series No. 3\nTransnational Chinese Theatres: Aesthetics\, Politics\, Methods \n  \nTime: March 18\, 2021 CET 2:00 PM-3:30 PM \nZoom Link: https://uni-goettingen.zoom.us/j/92404610446?pwd=T2ZRT2oyNkVSMXQ2UjRMVjZCVGp0QT09 \nMeeting ID: 924 0461 0446 \nPasscode: 709758 \nAbstract  \nHow can we rethink Chinese-language theatres from the perspective of the transnational? What are the advantages of looking at the performance cultures of the Chinese-speaking world through a trans-Asian lens? What can the “trans-” signify in the performances of the Sinophone? Unlike the field of Sinophone cinemas\, where “trans-” approaches\, particularly the transnational\, have been debated widely\, there has not yet been a comprehensive theoretical reflection of the agentive implications of trans-ing for the performances of the contemporary Sinosphere\, including the performances of memory. Based on the recent monograph\, Transnational Chinese Theatres: Intercultural Performance Networks in East Asia (Palgrave\, 2020)\, this talk will introduce the notion of transnational Chinese theatres as a practice and method of performance collaboration constituted by mobile networks of relations. Transnational Chinese theatres present a performative inflection of notions of minor transnationalism and inter-Asian referencing – or (trans-)Asia as method – which foregrounds collaboration as a generative site of counter-memory and transgressive imagination. An overview of recent transnational networks and works originating within the East Asian Sinosphere will show how collaborative practice can mobilize multiple dimensions of the “trans-” – transmediality\, translingualism\, translation\, transcoloniality – to reconstitute Sinophone performance cultures as platforms for transgressively reconfiguring the nation and enabling the collective memorialization of contested national histories through transnational comparison. \nBio \nRossella Ferrari is Professor of Chinese Studies in the Department of East Asian Studies at the University of Vienna\, Austria. Her main expertise is in the performance cultures of the Chinese-speaking world. Her research interests include avant-garde studies\, intercultural performance\, intermediality\, adaptation\, memory studies\, and transnational and inter-Asian approaches to the study of Sinophone cultural production. She is the author of Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China (2012) and Transnational Chinese Theatres: Intercultural Performance Networks in East Asia (2020)\, and the co-editor of Asian City Crossings: Pathways of Performance through Hong Kong and Singapore (forthcoming 2021). \nOrganizer \nYing Ming Theater  \nSponsors \nThe Center for Modern East Asian Studies at the University of Göttingen \nThe Academic Confucius Institute in Göttingen
URL:https://www.cemeas.de/event/online-theater-workshop-contemporary-theater-performance-seminar-series-no-3/
CATEGORIES:Theater,Workshop
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2021/02/IMG_2706.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210227T130000
DTEND;TZID=Europe/Berlin:20210227T160000
DTSTAMP:20260504T045442
CREATED:20210215T123328Z
LAST-MODIFIED:20210215T123328Z
UID:8898-1614430800-1614441600@www.cemeas.de
SUMMARY:Online Drama Reading: 安东·八甫洛维奇·契诃夫 《熊》Anton Pavlovich Chekhov The Bear
DESCRIPTION:安东·八甫洛维奇·契诃夫 《熊》Anton Pavlovich Chekhov The Bear \nTime: 13:00 – 16:00 27 Feb 2021 (CET) \nPlace: Online (Zoom ID: 951 5232 7696) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \nThe pompous widow vowed to keep faithful to her husband for the rest of her life. When she met the rude and irrational male debt collector\, what kind of chemistry would happen between them? \nAnyone interested in Chekhov’s farce The Bear is welcome to participate in the activity. \nFor more information about the Chinese Theater in Goettingen\, please click here. \n \n 
URL:https://www.cemeas.de/event/online-drama-reading-%e5%ae%89%e4%b8%9c%c2%b7%e5%85%ab%e7%94%ab%e6%b4%9b%e7%bb%b4%e5%a5%87%c2%b7%e5%a5%91%e8%af%83%e5%a4%ab-%e3%80%8a%e7%86%8a%e3%80%8banton-pavlovich-chekhov-the-bear/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2021/02/IMG_2708.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210213T130000
DTEND;TZID=Europe/Berlin:20210213T160000
DTSTAMP:20260504T045442
CREATED:20210215T123301Z
LAST-MODIFIED:20210215T123301Z
UID:8897-1613221200-1613232000@www.cemeas.de
SUMMARY:Online Drama Reading: 杜国威《我和春天有个约会》Kwok-Wai Raymond TO I Have a Date with Spring
DESCRIPTION:杜国威《我和春天有个约会》Kwok-Wai Raymond TO I Have a Date with Spring \nTime: 13:00 – 16:00 13 Feb 2021 (CET) \nPlace: Online (Zoom ID: 971 8032 8732) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \nWhen a retired singsong girl came back to the stage after twenty years\, what kind of stories would she recall for her debut and her colleagues? How did the four different singsong girls’ life change over time? If you are interested in the story of four Hong Kong singsong girls in the second half of the 20th century\, please do not hesitate to join us to read I Have a Date with Spring. \nFor more information about the Chinese Theater in Goettingen\, please click here. \n 
URL:https://www.cemeas.de/event/online-drama-reading-%e6%9d%9c%e5%9b%bd%e5%a8%81%e3%80%8a%e6%88%91%e5%92%8c%e6%98%a5%e5%a4%a9%e6%9c%89%e4%b8%aa%e7%ba%a6%e4%bc%9a%e3%80%8bkwok-wai-raymond-to-i-have-a-date-with-spring/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2021/02/IMG_2707.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210130T140000
DTEND;TZID=Europe/Berlin:20210130T170000
DTSTAMP:20260504T045442
CREATED:20210121T135918Z
LAST-MODIFIED:20210121T135918Z
UID:8854-1612015200-1612026000@www.cemeas.de
SUMMARY:Online Drama Reading: 易卜生《海达.高布乐》Henrik Ibsen\, Hedda Gabler
DESCRIPTION:易卜生《海达.高布乐》Henrik Ibsen\, Hedda Gabler \nTime: 14: 00 – 17: 00 30. January 2021  \nPlace: Online (Zoom Meeting ID：996 8047 2840) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \n“She is a mysterious and noble\, rebellious and unruly the so-called “father’s daughter.” After getting to know the large deep shadows in her heart and see a touch of disdain and despair in her eye\, people can only have complicated love-hate feelings for her. Let us go into the inner world of Ibsen’s most attractive and controversial woman – Haida Gabler.  \nEveryone is welcome to the online drama reading activity of Chinese Theater in Goettingen\, Ying Ming Theater. \n  \nFor more information about the Chinese Theater in Goettingen\, please click here. \n 
URL:https://www.cemeas.de/event/online-drama-reading-%e6%98%93%e5%8d%9c%e7%94%9f%e3%80%8a%e6%b5%b7%e8%be%be-%e9%ab%98%e5%b8%83%e4%b9%90%e3%80%8bhenrik-ibsen-hedda-gabler/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2021/01/海达·高布乐.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210117T130000
DTEND;TZID=Europe/Berlin:20210117T143000
DTSTAMP:20260504T045442
CREATED:20210120T101948Z
LAST-MODIFIED:20210120T102439Z
UID:8842-1610888400-1610893800@www.cemeas.de
SUMMARY:Collaboration and Crossing Borders in Art
DESCRIPTION:Collaboration and Crossing Borders in Art\nTime: 17.01.2021 CET 13:00-14:30\nPlace: Zoom Meeting ID 976 2733 1221\nLanguage: Chinese \n\nSpeakers:\nChong Wang 王翀 is one of China’s most influential post-80s theater director. His works have been performed in 17 countries. The Warfare of Landmine 2.0 《地雷战2.0》 won 2013 Festival/Tokyo Award. Lu Xun 《大先生》was noted by the Beijing News as The Best Chinese Production of Year 2016. In April 2020\, his online production of Waiting for Godot《等待戈多 attracted tens of thousands audience\, breaking the record of single performance attendance in Chinese theater. \nShasha Li 李鋆天 is a puppetry artist. She has been recognized with the “Best Performance” awards at the 2nd and 4th Golden Lion National Puppet Art Festival in 2008 and 2012. She won the award “Best Performance” at the 2nd Omsk Arlekin International Puppet Art Festival in Russia. She received a Rockefeller Foundation Asian Cultural Council Scholarship in 2013 and spent a year as an artist-in-residence in New York. She is also a Chinese calligraphy and painting artist.
URL:https://www.cemeas.de/event/collaboration-and-crossing-borders-in-art/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2021/01/Crossing-borders-in-art.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20201128T140000
DTEND;TZID=Europe/Berlin:20201128T170000
DTSTAMP:20260504T045442
CREATED:20201111T150917Z
LAST-MODIFIED:20201111T150917Z
UID:8687-1606572000-1606582800@www.cemeas.de
SUMMARY:Online Drama Reading: 加缪《卡里古拉》Albert Camus\, Caligula
DESCRIPTION:加缪《卡里古拉》Albert Camus\, Caligula \nTime: 14: 00 – 17: 00 28. November 2020  \nPlace: Online (VooV Meeting ID：460 607 174) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome.  \nSynopsis: Who assassinated Roman Emperor Caligula\, a famed historical figure for his cruelty and seemingly insane behavior? Find the answer by reading this play of psychological and philosophical debates.  \nIf you would like to know more about Caligula’s story\, please join us to read the Evolution together.  \nFor more information about the Chinese Theater in Goettingen\, please click here.
URL:https://www.cemeas.de/event/online-drama-reading-%e5%8a%a0%e7%bc%aa%e3%80%8a%e5%8d%a1%e9%87%8c%e5%8f%a4%e6%8b%89%e3%80%8balbert-camus-caligula/
LOCATION:VooV
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/11/卡里古拉.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20201114T140000
DTEND;TZID=Europe/Berlin:20201114T160000
DTSTAMP:20260504T045442
CREATED:20201111T145847Z
LAST-MODIFIED:20201111T145847Z
UID:8682-1605362400-1605369600@www.cemeas.de
SUMMARY:Online Drama Reading: 席勒《阴谋与爱情》Friedrich Schiller\, Intrigue and Love
DESCRIPTION:席勒《阴谋与爱情》Friedrich Schiller\, Intrigue and Love \nTime: 14: 00 – 16: 00 14. November 2020  \nPlace: Online (VooV Meeting ID：567 436 316) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \nThis play shows Ferdinand von Walter\, son of an aristocrat\, falls in love with Luise Miller\, daughter of a middle-class musician\, and how cabals and their intrigue destroy the couple’s relationship.  \nAnyone interested in the love story is warmly welcome to participate in the activities.  \nFor more information about the Chinese Theater in Goettingen\, please click here. \n 
URL:https://www.cemeas.de/event/online-drama-reading-%e5%b8%ad%e5%8b%92%e3%80%8a%e9%98%b4%e8%b0%8b%e4%b8%8e%e7%88%b1%e6%83%85%e3%80%8bfriedrich-schiller-intrigue-and-love/
LOCATION:VooV
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/11/阴谋与爱情.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20201024T140000
DTEND;TZID=Europe/Berlin:20201024T170000
DTSTAMP:20260504T045442
CREATED:20201021T125510Z
LAST-MODIFIED:20201021T125510Z
UID:8653-1603548000-1603558800@www.cemeas.de
SUMMARY:Online Drama Reading: 约翰·洛根《红色》John Logan\, Red
DESCRIPTION:约翰·洛根《红色》John Logan\, Red \nTime: 14: 00 – 17: 00 24. October 2020  \nPlace: Online (VooV Meeting ID：877 506 987) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \n“There is only one thing I fear in life\, my friend… One day the black will swallow the red\,” mentioned by Rothko. In his eyes\, what does “black” mean in this play? For his young assistant\, Ken\, what about his ideas towards “red?” Besides\, which is your option between black and red based on culture and aesthetics? \nIf you would like to know more about Rothko and Ken’s discussions\, let’s read John Logan’s Red together.  \nFor more information about the Chinese Theater in Goettingen\, please click here.
URL:https://www.cemeas.de/event/online-drama-reading-%e7%ba%a6%e7%bf%b0%c2%b7%e6%b4%9b%e6%a0%b9%e3%80%8a%e7%ba%a2%e8%89%b2%e3%80%8bjohn-logan-red/
LOCATION:VooV
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/10/index.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200926T140000
DTEND;TZID=Europe/Berlin:20200926T170000
DTSTAMP:20260504T045442
CREATED:20200909T100500Z
LAST-MODIFIED:20200909T100525Z
UID:8554-1601128800-1601139600@www.cemeas.de
SUMMARY:Online Drama Reading: 朱宜《杂音》Yi ZHU\, A Deal
DESCRIPTION:朱宜《杂音》Yi ZHU\, A Deal\nTime: 14: 00 – 17: 00  26. September 2020 \nPlace: Online (VooV Meeting ID：979 386 357) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \nWhat will happen if Chinese parents would like to buy an American house for their kid who receives his/her education in the United States? What kind of “chemical reaction” will be produced by the generation gap plus cultural shocks between China and the USA? Let us read the Yi ZHU’s A Deal to explore their conflicts and struggles. \nAnyone interested in the drama A Deal is warmly welcome to participate in the activities. \nFor more information about the Chinese Theater in Goettingen\, please click here.
URL:https://www.cemeas.de/event/%e6%9c%b1%e5%ae%9c%e3%80%8a%e6%9d%82%e9%9f%b3%e3%80%8byi-zhu-a-deal/
LOCATION:VooV
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/09/A-Deal.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200912T140000
DTEND;TZID=Europe/Berlin:20200912T170000
DTSTAMP:20260504T045442
CREATED:20200909T100040Z
LAST-MODIFIED:20200909T100637Z
UID:8551-1599919200-1599930000@www.cemeas.de
SUMMARY:Online Drama Reading: 顾雷《进化》Lei GU\, Evolution
DESCRIPTION:顾雷《进化》Lei GU\, Evolution\nTime: 14: 00 – 17: 00  12. September 2020 \nPlace: Online (VooV Meeting ID：518 226 916) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \nAccording to Stanford Encyclopedia\, evolution means the changes in the proportions of biological types in a population over time\, which is also a common understanding for most people. However\, what does the term evolution mean when it comes to one particular family in current society\, such as a journalist or a taxi driver living in Beijing? What is the so-called best choice to make for “evolution?” \nIt is a great honor and pleasure to invite the playwright\, Mr. Lei Gu\, to participate in our online script reading and discussion on Sep. 12th. \nIf you would like to know more about the evolutional story that happened in the wee hours of Beijing\, please join us to read the Evolution together. \nFor more information about the Chinese Theater in Goettingen\, please click here.
URL:https://www.cemeas.de/event/online-drama-reading-%e9%a1%be%e9%9b%b7%e3%80%8a%e8%bf%9b%e5%8c%96%e3%80%8blei-gu-evolution/
LOCATION:VooV
CATEGORIES:Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2020/09/进化.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200821T140000
DTEND;TZID=Europe/Berlin:20200821T170000
DTSTAMP:20260504T045442
CREATED:20200803T110516Z
LAST-MODIFIED:20200803T110516Z
UID:8513-1598018400-1598029200@www.cemeas.de
SUMMARY:Online Drama Reading: 陈尹莹《花近高楼》Joanna CHAN\, The Whirligig of Time
DESCRIPTION:陈尹莹《花近高楼》Joanna CHAN\, The Whirligig of Time \nTime: 14: 00 – 17: 00  21. August 2020 \nPlace: Online (VooV Meeting ID：338 885 111) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \nWhen you see the Chinese title of the drama\, would you recall the verses by Du Fu杜甫\, a poet from the Tang Dynasty? How does this kind of texts apply to Hong Kong stories in the second half of the 20th century? In a turbulent environment\, what kind of persistence will people have\, and what kind of choices will people make? By reading The Whirligig of Time\, perhaps you could find your answer. \nAnyone interested in the drama The Whirligig of Time is warmly welcome to participate in the activities. \nFor more information about the Chinese Theater in Goettingen\, please click here.
URL:https://www.cemeas.de/event/online-drama-reading-%e9%99%88%e5%b0%b9%e8%8e%b9%e3%80%8a%e8%8a%b1%e8%bf%91%e9%ab%98%e6%a5%bc%e3%80%8bjoanna-chan-the-whirligig-of-time/
LOCATION:VooV
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/08/26.-20200821-陈尹莹《花近高楼》-e1596452615519.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200807T140000
DTEND;TZID=Europe/Berlin:20200807T170000
DTSTAMP:20260504T045442
CREATED:20200803T105325Z
LAST-MODIFIED:20200803T105325Z
UID:8507-1596808800-1596819600@www.cemeas.de
SUMMARY:Online Drama Reading: 潘惠森《在天台上冥想的蜘蛛》Weisum Poon\, Spider in Meditation
DESCRIPTION:潘惠森《在天台上冥想的蜘蛛》Weisum Poon\, Spider in Meditation \nTime: 14: 00 – 17: 00  07. August 2020 \nPlace: Online (VooV Meeting ID：338 885 111) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \nIn this crowded city\, Hong Kong\, buildings are nestled against each other\, well illuminated day and night. The rooftops of abundant high buildings and skyscrapers are connected into a wasteland when seen from above the city. There are four paupers without fixed residences on this wasteland. They gaze at the sky and overlook the world above the city landscapes while pursuing the highest-positioned goal in life with the lowest standard of material conditions. \nThey fly from one rooftop to another and do their best to return the world’s desires\, which leaves them only spiders meditating on the rooftop. If you want to have the experience of spiders contemplating on the rooftop\, please do not hesitate to join us. \nFor more information about the Chinese Theater in Goettingen\, please click here. \n 
URL:https://www.cemeas.de/event/online-drama-reading-%e6%bd%98%e6%83%a0%e6%a3%ae%e3%80%8a%e5%9c%a8%e5%a4%a9%e5%8f%b0%e4%b8%8a%e5%86%a5%e6%83%b3%e7%9a%84%e8%9c%98%e8%9b%9b%e3%80%8bweisum-poon-spider-in-meditation/
LOCATION:VooV
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/08/25.-20200807-潘惠森《在天台上冥想的蜘蛛》.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200725T140000
DTEND;TZID=Europe/Berlin:20200725T170000
DTSTAMP:20260504T045442
CREATED:20200709T140104Z
LAST-MODIFIED:20200709T140450Z
UID:8470-1595685600-1595696400@www.cemeas.de
SUMMARY:Online Drama Reading: 童道明《塞纳河少女的面模》Daoming TONG\, The Facial Mask of Seine Maiden
DESCRIPTION:童道明《塞纳河少女的面模》Daoming TONG\, The Facial Mask of Seine Maiden\nTime: 14: 00 – 17: 00  25. July 2020 \nPlace: Online (VooV Meeting ID：349 101 546) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \nThe Facial Mask of Seine Maiden was bought by Zhi FENG (冯至) accidentally in a bookstore when he studied aboard in Berlin. Since then\, he had kept this facial mask even when he was at the National Southwest Associated University. If you are interested in Zhi FENG’s poems and his friendship with another famous Chinese scholar Xianlin JI (季羡林)\, please join us to read The Facial Masks of Seine Maiden together. \nAnyone interested in the drama The Facial Mask of Seine Maiden is warmly welcome to participate in the activities. \nFor more information about the Chinese Theater in Goettingen\, please click here.
URL:https://www.cemeas.de/event/online-drama-reading-%e7%ab%a5%e9%81%93%e6%98%8e%e3%80%8a%e5%a1%9e%e7%ba%b3%e6%b2%b3%e5%b0%91%e5%a5%b3%e7%9a%84%e9%9d%a2%e6%a8%a1%e3%80%8bdaoming-tong-the-facial-mask-of-seine-maiden/
LOCATION:VooV
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/07/24.-20200725-童道明《塞纳河少女的面模》.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200711T140000
DTEND;TZID=Europe/Berlin:20200711T170000
DTSTAMP:20260504T045442
CREATED:20200709T115517Z
LAST-MODIFIED:20200709T140003Z
UID:8465-1594476000-1594486800@www.cemeas.de
SUMMARY:Online Drama Reading: The Umbrella in Salzburg
DESCRIPTION:苏叔阳《萨尔茨堡的雨伞》Shuyang SU\, The Umbrella in Salzburg\nTime: 14: 00 – 17: 00  11. July 2020 \nPlace: Online (VooV Meeting ID：696 443 903 ) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \nThe derailment seems to be the uppermost factor of an abortive relationship. What kind of stories will happen in a seemingly relaxed relationship in Salzburg? Are there any so-called schemes\, PUA (Pick-up Artist)\, or even the derailment? Let us read the diverting script The Umbrella in Salzberg by Shuyang Su. \nIf you want to know more about the drama The Umbrella in Salzburg\, please do not hesitate to join us. \nFor more information about the Chinese Theater in Goettingen\, please click here.
URL:https://www.cemeas.de/event/online-drama-reading-the-umbrella-in-salzburg/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/07/23.-20200711-苏叔阳《萨尔茨堡的雨伞》.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200701T080000
DTEND;TZID=Europe/Berlin:20200831T170000
DTSTAMP:20260504T045442
CREATED:20200709T143613Z
LAST-MODIFIED:20200709T143613Z
UID:8484-1593590400-1598893200@www.cemeas.de
SUMMARY:First Drama Workshop of the Yingming Theater
DESCRIPTION:The Yingming theater is going to have its first Drama Workshop in August. \n\nFocus: Cross-cultural Communication \nFormat: Playback Theater \nLanguage: English/Chinese/German \nPlatform: Zoom Meeting Room (TBA) \nDate: TBA \n\nWho can participate in this workshop? \nIf you are curious about the theatrical forms of playback\, such as “Fluid sculptures”\, “Pairs”\, “Chorus”\, “Free form”\, “Snap shot” and “Collage”\, if you want to communicate with friends of diverse cultural\, linguistic\, ethnic or religious backgrounds and share your life stories\, and if you want to personally participate in the performances on the spot\, then don’t hesitate to join us! This event can definitely provide you with a new perspective and a unique experience. \nWe always believe that everyone’s story has its own value and is worthy of being heard and respected. Therefore\, we aim to understand the cultural diversity\, to find ways to communicate effectively and to build a mutual understanding as well as the consensus. \nOrganizers:  \nDr. Yumin Ao（Researcher at the Center for the Modern East Asian Studies） \nZhao Zhao（MA candidate at the Department of German Philology） \nRegistration: \nyingming.theater@gmail.com \n\nFor more information on the workshop click here. \n 
URL:https://www.cemeas.de/event/first-drama-workshop-of-the-yingming-theater/
CATEGORIES:Theater,Workshop
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2020/07/Workshop1_082020.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200627T140000
DTEND;TZID=Europe/Berlin:20200627T170000
DTSTAMP:20260504T045442
CREATED:20200604T130847Z
LAST-MODIFIED:20200604T130847Z
UID:8403-1593266400-1593277200@www.cemeas.de
SUMMARY:Online Drama Reading: 孟京辉《两只狗的生活意见》Jinghui MENG\, The Life Comments of Two Dogs
DESCRIPTION:孟京辉《两只狗的生活意见》Jinghui MENG\, The Life Comments of Two Dogs \nTime: 14: 00 – 17: 00 27. June 2020  \nPlace: Online (QQ Group: 335030419) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via QQ audio calls. Being an auditor is also welcome.  \nTwo dogs enter the city from the countryside in search of ideals and happiness. When both of them encounter various life problems along the way\, they have unique perspectives on the situation. If you also have some opinions about your own life\, perhaps the drama The Life Comments of Two Dogs can provide abundant illuminating thoughts for you. \nAnyone interested in the drama The Life Comments of Two Dogs is warmly welcome to participate in the activities.  \nFor more information about the Chinese Theater Goettingen\, please click here. \n 
URL:https://www.cemeas.de/event/online-drama-reading-%e5%ad%9f%e4%ba%ac%e8%be%89%e3%80%8a%e4%b8%a4%e5%8f%aa%e7%8b%97%e7%9a%84%e7%94%9f%e6%b4%bb%e6%84%8f%e8%a7%81%e3%80%8bjinghui-meng-the-life-comments-of-two-dogs/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/06/两只狗的生活意见.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200613T140000
DTEND;TZID=Europe/Berlin:20200613T170000
DTSTAMP:20260504T045442
CREATED:20200604T130914Z
LAST-MODIFIED:20200604T130914Z
UID:8398-1592056800-1592067600@www.cemeas.de
SUMMARY:Online Drama Reading: 白峰溪《风雨故人来》Fengxi BAI\, Friends through Thick and Thin
DESCRIPTION:白峰溪《风雨故人来》Fengxi BAI\, Friends through Thick and Thin  \nTime: 14: 00 – 17: 00 13. June 2020  \nPlace: Online (QQ Group: 335030419) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via QQ audio calls. Being an auditor is also welcome. \nWhen people face the intractable situation that they need to make the life priority of career or love\, what kinds of decisions will they make after a furious self-struggle? Let us read Bai’s script Friends through Thick and Thin to explore Peng’s answer. \nIf you want to know more about the drama Friends through Thick and Thin\, please do not hesitate to join us. \nFor more information about the Chinese Theater Goettingen\, please click here. \n 
URL:https://www.cemeas.de/event/online-drama-reading-%e7%99%bd%e5%b3%b0%e6%ba%aa%e3%80%8a%e9%a3%8e%e9%9b%a8%e6%95%85%e4%ba%ba%e6%9d%a5%e3%80%8bfengxi-bai-friends-through-thick-and-thin/
LOCATION:QQ
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/06/风雨故人来.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20200530T140000
DTEND;TZID=Europe/Berlin:20200530T170000
DTSTAMP:20260504T045442
CREATED:20200430T085238Z
LAST-MODIFIED:20200430T085238Z
UID:8355-1590847200-1590858000@www.cemeas.de
SUMMARY:Online Drama Reading: 亨里克·约翰·易卜生《群鬼》Henrik Johan Ibsen\, Ghosts
DESCRIPTION:亨里克·约翰·易卜生《群鬼》Henrik Johan Ibsen\, Ghosts\n  \nTime: 14: 00 – 17: 00  30. May 2020 \nPlace: Online (QQ Group: 335030419) \nE-mail: yumin.ao@phil.uni-goettingen.de \nManner: Participants will read dramas and do some role-play exercises together via QQ audio calls. Being an auditor is also welcome. \nAs the subject of Ghosts includes religion\, venereal disease\, incest\, and euthanasia\, it immediately had generated substantial controversy and negative criticism since it first staged in 1882. What kind of story does this great play try to convey? Why does this drama historically hold a position of immense importance? On finishing reading Ibsen’s Ghosts we will be keen to continue a discussion. \nEveryone is warmly welcome to participate in online activities. \nFor more information about the Chinese Theater Goettingen\, please click  here.
URL:https://www.cemeas.de/event/online-drama-reading-%e4%ba%a8%e9%87%8c%e5%85%8b%c2%b7%e7%ba%a6%e7%bf%b0%c2%b7%e6%98%93%e5%8d%9c%e7%94%9f%e3%80%8a%e7%be%a4%e9%ac%bc%e3%80%8bhenrik-johan-ibsen-ghosts/
LOCATION:QQ
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2020/04/index3.jpg
END:VEVENT
END:VCALENDAR