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DTSTART;TZID=Europe/Berlin:20210114T130000
DTEND;TZID=Europe/Berlin:20210114T140000
DTSTAMP:20260521T062530
CREATED:20210104T083435Z
LAST-MODIFIED:20210112T145101Z
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SUMMARY:Online Lecture: The Chinese Communist Party’s International Networks
DESCRIPTION:The Chinese Communist Party’s International Networks\nJulia Bader (University of Amsterdam)\nThis lecture is part of our new lecture series China’s Economic Rise – Political Transformations in Asia and Beyond \nThursday\, January 14\, 2021\, 1:00-2:00pm CET \nZOOM Link: https://uni-goettingen.zoom.us/j/98494002315 \n  \nAbstract: Under President Xi Jinping China has become a more assertive force of transformation. It is more openly promoting its vision of global order and more aggressively trying to popularize the Chinese political model. Instruments outside of traditional state-to-state diplomacy play a key role in this endeavor. The lecture focuses on the role of the International Department of the Communist Party of China (CCP-ID). Building on an intense travel diplomacy\, the CCP-ID maintains a widely stretched network to political elites across the globe. The CCP-ID’s engagement is not new; but since Xi Jinping took office\, it has bolstered its efforts to reach out to other parties. Yet\, little is known about the CCP-ID’s role in China’s foreign relations: Who are the CCP-ID’s partners? And what are the CCP-ID’s networking efforts about? \nThe lecture tries to find answers to these questions. It provides insights into the patterns of the CCP-ID’s external relations since the early 2000s and discusses the underlying motives. Party relations not only serve as an additional channel to advance China’s foreign policy interests. Since President Xi has come to power\, party relations also emerged as a key instrument to promote China’s vision for reforming the global order. Moreover\, China increasingly uses the party channel as a vehicle of authoritarian learning by sharing experiences of its economic modernization and authoritarian one-party regime. The CCP-ID may well be an instrument of global political transformation. \nJulia Bader\nJulia Bader is Assistant Professor for International Relations in the Department of Political Science at the University of Amsterdam. She joined the Department of Political Science and the Amsterdam Institute for Social Science Research in July 2012. Before joining UvA\, Julia Bader worked as a research fellow at the German Development Institute / Deutsches Institut für Entwicklungspolitik (DIE) in Bonn (Germany) for five years. Julia Bader holds a MA in Politics and Management from Konstanz University and a PhD in Political Science from Heidelberg University. \n\n\nJulia’s work focuses on China´s foreign relations; regime transition and autocratic stability\, international relations and foreign policy\, development assistance and human rights. She is a member of the International Diffusion and Cooperation of Authoritarian Regimes – IDCAR-Network and an external partner of the project Undermining Hegemony. The US\, China\, Russia\, and International Public Goods.\nSource: https://www.uva.nl/profiel/b/a/j.bader2/j.bader2.html \n\n\n  \nThis lecture series is co-organized and co-sponsored by Göttingen’s Centre for Modern East Asian Studies as well the Kiel Institute China Initiative. \n  \nPicture: iStock.com/Maxiphoto
URL:https://www.cemeas.de/event/online-lecture-the-chinese-communist-partys-international-networks/
CATEGORIES:CeMEAS Lecture Series
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2019/03/Silk-Road_komprimiert.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210117T130000
DTEND;TZID=Europe/Berlin:20210117T143000
DTSTAMP:20260521T062530
CREATED:20210120T101948Z
LAST-MODIFIED:20210120T102439Z
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SUMMARY:Collaboration and Crossing Borders in Art
DESCRIPTION:Collaboration and Crossing Borders in Art\nTime: 17.01.2021 CET 13:00-14:30\nPlace: Zoom Meeting ID 976 2733 1221\nLanguage: Chinese \n\nSpeakers:\nChong Wang 王翀 is one of China’s most influential post-80s theater director. His works have been performed in 17 countries. The Warfare of Landmine 2.0 《地雷战2.0》 won 2013 Festival/Tokyo Award. Lu Xun 《大先生》was noted by the Beijing News as The Best Chinese Production of Year 2016. In April 2020\, his online production of Waiting for Godot《等待戈多 attracted tens of thousands audience\, breaking the record of single performance attendance in Chinese theater. \nShasha Li 李鋆天 is a puppetry artist. She has been recognized with the “Best Performance” awards at the 2nd and 4th Golden Lion National Puppet Art Festival in 2008 and 2012. She won the award “Best Performance” at the 2nd Omsk Arlekin International Puppet Art Festival in Russia. She received a Rockefeller Foundation Asian Cultural Council Scholarship in 2013 and spent a year as an artist-in-residence in New York. She is also a Chinese calligraphy and painting artist.
URL:https://www.cemeas.de/event/collaboration-and-crossing-borders-in-art/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2021/01/Crossing-borders-in-art.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210128T130000
DTEND;TZID=Europe/Berlin:20210128T140000
DTSTAMP:20260521T062530
CREATED:20210104T083911Z
LAST-MODIFIED:20210113T110853Z
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SUMMARY:Online Lecture: China’s Overseas Lending
DESCRIPTION:China’s Overseas Lending\nSebastian Horn (IfW Kiel)\nThis lecture is part of our new lecture series China’s Economic Rise – Political Transformations in Asia and Beyond \nThursday\, January 28\, 2021\, 1:00-2:00pm CET \nZOOM Link: https://uni-goettingen.zoom.us/j/92000859579 \n  \nAbstract: Compared with China’s pre-eminent status in world trade\, its role in global finance is poorly understood. This paper studies the size\, characteristics\, and determinants of China’s capital exports building a new database of 5000 loans and grants to 152 countries\, 1949-2017. We find that 50% of China’s lending to developing countries is not reported to the IMF or World Bank. These “hidden debts” distort policy surveillance\, risk pricing\, and debt sustainability analyses. Since China’s overseas lending is almost entirely official (state-controlled)\, the standard “push” and “pull” drivers of private cross-border flows do not apply in the same way. \n  \nThe lecture series is co-organized and co-sponsored by Göttingen’s Centre for Modern East Asian Studies as well the Kiel Institute China Initiative. \nPicture: iStock.com/Maxiphoto
URL:https://www.cemeas.de/event/online-lecture-chinas-overseas-lending/
CATEGORIES:CeMEAS Lecture Series
ATTACH;FMTTYPE=image/png:https://www.cemeas.de/wp-content/uploads/2019/03/Silk-Road_komprimiert.png
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DTSTART;TZID=Europe/Berlin:20210130T140000
DTEND;TZID=Europe/Berlin:20210130T170000
DTSTAMP:20260521T062530
CREATED:20210121T135918Z
LAST-MODIFIED:20210121T135918Z
UID:8854-1612015200-1612026000@www.cemeas.de
SUMMARY:Online Drama Reading: 易卜生《海达.高布乐》Henrik Ibsen\, Hedda Gabler
DESCRIPTION:易卜生《海达.高布乐》Henrik Ibsen\, Hedda Gabler \nTime: 14: 00 – 17: 00 30. January 2021  \nPlace: Online (Zoom Meeting ID：996 8047 2840) \nEmail: yingming.theater@gmail.com \nManner: Participants will read dramas and do some role-play exercises together via video or voice calls. Being an auditor is also welcome. \n“She is a mysterious and noble\, rebellious and unruly the so-called “father’s daughter.” After getting to know the large deep shadows in her heart and see a touch of disdain and despair in her eye\, people can only have complicated love-hate feelings for her. Let us go into the inner world of Ibsen’s most attractive and controversial woman – Haida Gabler.  \nEveryone is welcome to the online drama reading activity of Chinese Theater in Goettingen\, Ying Ming Theater. \n  \nFor more information about the Chinese Theater in Goettingen\, please click here. \n 
URL:https://www.cemeas.de/event/online-drama-reading-%e6%98%93%e5%8d%9c%e7%94%9f%e3%80%8a%e6%b5%b7%e8%be%be-%e9%ab%98%e5%b8%83%e4%b9%90%e3%80%8bhenrik-ibsen-hedda-gabler/
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://www.cemeas.de/wp-content/uploads/2021/01/海达·高布乐.jpg
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