Yingming Theater Journal – Volume 16
Editor: Dr. Yumin Ao
Yingming Theater was founded by Dr. Yumin Ao, Oct. 2019. It is a non-profit online journal that focuses on intercultural theater, cultural diversity in theater, and cross-cultural dialogue through theater. The contributors and columnists of the journal’s content are based in various countries and theatrical practices in different cultural contexts.
Previous issues and further information can be found here.
Yingming Theater Journal – 嘤鸣戏剧 Vol.16
Contents:
Installation Art Exhibits
01. Bio of Installation Artist Feifei Yu →
Encounters of Art, Education and Human // Moqing Sun
04. Art Courses from Art Academy to Xinya College, Tsinghua University // Li Mu →
Chinese Theater Today // Tingting Wang
12. Learning from Tradition and The Dimension of Creation: The “New Codification” Concept in Ding Yiteng’s Theater // Tingting Wang →
Contemporary European Theater // Chaomei Chen
19. GRM.Brainfuck: A Dystopian Sci-fi Musical for the Digital Age // Yumin Ao →
36. A Tragicomedy of Isolation under the Cloak of COVID-19 Pandemic: A Review of Happy Days by Irish Landmark Productions // Chaomei Chen →
Communication and Extension // Jiayue Li
43. Survey: Why Are We Still Watching Shakespeare 400 Years Later? (I) Reception of Shakespear’s Play in Contemporary China // Jiayue Li →
56. Interview: A Dialogue with Moritz Beichl, Director of The Bandits: Why Do We Still Need Schiller? // Mengfei Zhao →
目录 ：
装置艺术品图览
01 装置艺术家于霏霏简介 →
“艺术、教育与人的相遇” 栏目 // 主持：孙墨青
07 从美院到书院的大学艺术课 // 李睦 →
“今日华语剧场” 栏目 // 主持：王婷婷
13. “向传统学艺”与创作的维度：丁一滕的戏剧“新程式” // 王婷婷 →
“当代欧洲剧场” 栏目 // 主持：陈超美
20.《车库饶舌/脑残》 : 一部数字时代的反乌托邦科幻音乐剧 // 敖玉敏 →
37. 疫情底色下的隔离悲喜剧：评爱尔兰地标剧团的《快乐的日子》// 陈超美 →
“交流与延伸” 栏目 // 编辑：李佳玥
44. 调研：四百年后，我们为什么还看莎士比亚？（一）：莎剧在当代中国的接受情况 // 李佳玥 →
57. 访谈：对话《强盗》导演Moritz Beichl: 为什么今天的我们仍然需要席勒？// 赵梦飞 →